The work methods and use reflective agreements that I use for several years. This system relies on a very simple process: each note is related to another by symmetry.
In order to maintain flexibility and strict structural out of this background, I chose expressive remote territories of each other, but still linked by common thematic elements.
Distances particular concern tessitura, dynamic, stamps, but they are also due to oppositions such as net and blur, the expected and the unexpected, the static and hectic, etc.
An example: the word appears black, ringing in the subwoofer, with fragile melodies and mournful knell, is found later metamorphosed in acute and accompanied by delicate bright colors.
The instrumental treatment shows the same desire of contrasts. I tried to make it sound this small group of instruments in different ways, sometimes as a large orchestra, sometimes as a very small set.